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All I can say is I hope SIG keeps up its commitment to learn from what we as mistakes in product introduction.įast forward to today: even in its short history, the MPX itself has seen some rather significant incremental changes. In the future, I hope we as consumers don’t have to be subjected to that two-year debut-to-commercial-release timeline. It’s January 2013, the cat’s out of the bag in terms of knowledge of the platform, but that doesn’t mean SIG was obligated to sell it if they weren’t confident in the platform. I can’t really give a specific answer on SIG’s behalf, but it would seem to follow the trend of SIG learning not to sell products that aren’t ready. You could ask “why show it in 2013 and not have it ready to go?” I think that’s a fair question.
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Finally, it could have been a combination of all three. It could also have been that the MPX simply was not ready for public release.
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Alternatively, the focus could have been producing 516 and 716s which were already proven and imminently in demand. Some of this could have been the fact that the MPX, unlike the MCX, is mainly driven by foreign contracts and SIG’s focus landed outside our borders. But in the roiling tumult that was 2013, where the country went mad for all things black-rifle, we heard nary a peep from SIG about the MPX. The MPX debuted, for the civilian market, at SHOT 2013, where it was probably the most finger-fucked gun of the entire show, displacing other worthy entries like the IWI Tavor. Now, on the fiftieth anniversary of the MP5, SIG is poised to introduce a worthy heir to the throne of King of Submachineguns. Furthermore, HK had a lot of other balls up in the air including the MK23 and G36, both of which were arguably more successful in their respective fields than the Oomp. The military application of pistol-caliber carbines was always very limited to spec-ops and POG types (an ironic juxtaposition in some ways). To be entirely fair to HK, the UMP came out at a time when American law enforcement was also getting tired of pistol caliber carbines as a genre, and moving from PCCs to short-barreled rifles. Smooth is both accurate and fast, which is kind of a big deal in the spitting-distance world of the submachine gun. While the UMP offers a less expensive and lighter overall package due to its polymer frame and a simplified blow-back action (I did say it was a simpleton), it lacks the ethereal smoothness of its predecessor. What you will need are three things: 1) a large brick, 2) a shoebox, and 3) the ability to put the brick in the shoebox and shake it back-and-forth. If you ever want to know what a cycling UMP feels like you can build a UMP action for yourself, from household materials. IMO, the Universal Muppet Pistol is a simpleton-pretender to the throne and a wholly unworthy successor to the MP5. They may still support the 9mm platform in some respects, but a large part of their corporate emphasis shifted to the UMP, which is a direct-blow-back, polymer framed submachinegun (ca. If the MP5 is still the gold standard in so many ways what happened to it? To put it bluntly, HK got tired of it. The MP5 set the bar, and a very high bar at that, for what a submachinegun could and should be. Unlike the UZI, which was probably its closest global competitor, the MP5 was easy to mount optics on, fired from a closed bolt (more accurate), and, to a degree, was more modular in terms of grip/grip frame and stock options.
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It also featured largely in various movies like Predator and Die Hard, and even long-running TV shows like Stargate SG-1. The MP5 came to fame when it stared in a certain SAS operation against Iranian terrorists in 1980.
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It was accurate, smooth, easy to control, light for its time, and well-liked by military units and police agencies throughout its tenure as the submachine gun of the free world. The MP5 was a roller-locked delayed-blowback submachine gun chambered in 9mm. The MP5 is a double-title holder in that the MP5SD (integrally suppressed variant) is also the gold standard of what a suppressed production gun should sound like. For as long as it’s existed the Heckler & Koch MP5 in 9mm has been the gold standard, bar none, of submachine guns. We’re setting the dial on our time machine back to 1964: to the birth of an icon (no, not Sandra Bullock or Elle Macpherson, but close). Like the MCX, to understand the MPX we have to go back in history. So now, the part you’ve all been waiting for?īut, appreciation comes only with context.